I personally just don’t like how he does things. I frequently hear distortion in loud parts, muddy bass, and really hard panning that sounds uncomfortable in headphones. Doesn’t matter if it’s CD or vinyl or streaming.
I know people will immediately come for me for my setup, but please, I know this isn’t the case because nothing else I listen to has these kinds of issues. I am a professional musician and I have worked in recording studios. I have sensitive hearing and perfect pitch that runs in my family. I have a nice setup that I love and enjoy thoroughly with other recordings. I have actually invested quite a bit of time and money into trying to figure out if it is my setup or not, and I know it’s not. The flaws are more noticeable in headphones (I’ve tried about a half dozen different ones to confirm), and I wonder if he doesn’t check to make sure his masters work well on headphones before signing off on them.
I know that he is often revered and I almost never hear anything bad about him. And I’ll admit that not everything he does is bad. But in general I actually get kind of frustrated listening to his remasters and the way they sound. And I’m curious if anyone else has heard what I’ve heard.
Never heard of the guy.
Franky, i don’t buy remasters unless there’s nothing else available.
I think every musician on an album being remastered should be present to give input, otherwise it’s just a money grab. I laugh at my contemporaries who buy Beatles albums over and over because the latest release includes a never-before-seen image of Ringo’s first soiled diaper.
Further, if a band blames the label for a poorly sounding album, it’s likely because the band sold out.
LOL! “First soiled diaper” got a good chuckle on that one.
Agree many remasters seem to be just a money grab. I especially abhor remastering that compresses the dynamic range, just criminal.
But then there are others that put in the effort to improve on the original to make things right and those are worth getting. And when I say remaster, not just the re EQ, but also the expert disc cutting to take full advantage of tech we have now, so for example more of the original bass can be cut into the groove. We’re as before it was limited by choice or whatever to accommodate the masses or radio.