Most of the time we’re really talking about the same master mixing target ending up in different formats, though. And although that’s usually different enough to hear, it’s not necessarily just better to hear the difference in quality of some of the sample tracks… or the quality of the noise, the filters on the microphone(and weaknesses of the microphone used), the scratching in the chair, hairs on the bow, flicking of valves, super high definition scratching on strings, and things like that.

If people actually do dig up original mastering tapes to resample them to higher resolution than was done earlier - then that’s great, though. And if a composer or a producer ends up deliberately targeting loss-less with both their samples and then the final mixing target as well, then all of those things would of course add something here that you could potentially enjoy and listen to – that really would be different and better.

But I don’t think that actually is what happens even some of the time. :p