I’ve always liked bass-tilted headphones, the Denon AH-D5200 being my favourite pair.
But only in the last few days have I heard great QUALITY bass. I shifted from Spotify to Qobuz, and upgraded from the Topping DX3 Pro to the Topping A30 Pro.
The dynamic swings are so much more dramatic, and the bass is so much more textured. It’s not just a wall of bass anymore, like it has a sense of space now.
While the change in streaming service has no doubt played a part in this, I am now firmly in the camp of “different amps/dacs make a difference”. It must have something to do with voltage swings. And don’t tell me the volume isn’t matched, because it is, I measured it with a mic.
Sorry dude, but HiFi audio is a scam. I believe you can hear a difference, but that very difference is not there for the reason you think it is. Trust me. There are so many variables as to why you can hear a difference… Different masters on different platforms, volume normalization, etc. Unless you’re a freaking dolphin, you won’t hear anything beyond 16-bit 44.1kHz. That being said, doesn’t matter of type of file it is, if it’s not low quality, usually it’s going to be played in 16-bit 44.1kHz. There’s no difference between lossy and lossless and between Spotify and any high quality streaming services.
At the end of the day, you’re comparing two different stimuli with countless variables. The only way to do this is: Rip a 320kbps and a lossless file using a good CODEC and isolate all variables, then, perform a blind ABX test (and ask for someone else too). I bet you my life that you won’t be able to tell the difference between a 320kbps source and lossless. Hell, you even have DAC’s that read DSD differently and turn it into PCM after making it DSD again, all of this can affect the perceived sound. All these differences that you claim are easily attributed to placebo and other variables, especially when it comes from a headphone that’s so easy to drive. That DAC “upgrade” didn’t change a thing.
I went back to CDs for critical listening because Spotify and Qobuz is mostly using garbage loudness-war era masters. That makes more of a difference to me than codec compression.